paper) | ISBN 9780429453991 (ebook) Subjects: LCSH: Synthesizer (Musical instrument) Classification: LCC ML1092 (ebook) | LCC ML1092. | Includes bibliographical references and index. Title: Analog synthesizers : understanding, performing, buying from the legacy of Moog to software synthesis / Mark Jenkins. First edition published by Focal Press 2007 Library of Congress Cataloging-in-Publication Data Names: Jenkins, Mark, 1960– author. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Second edition published 2020 by Routledge 52 Vanderbilt Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2020 Taylor & Francis The right of Mark Jenkins to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. He has performed and recorded solo and with members of Tangerine Dream, Can, Gong, White Noise, and Van Der Graaf Generator in the UK, USA, Europe, Brazil, Russia, and China, at venues including the Queen Elizabeth Hall, the London Planetarium, the Carnegie Science Center Pittsburgh, the Vanderbilt Planetarium, and the Teatro Nacional in Brazil.Īnalog Synthesizers: Understanding, Performing, Buying From the Legacy of Moog to Software Synthesis Second Edition Mark Jenkins has written about electronic music for Melody Maker, International Musician, Keyboard Player (UK), Keyboard (USA), and many other publications. Analog Synthesizers has a companion website featuring hundreds of examples of analog sound created using dozens of classic and modern instruments. The book opens with a grounding in the physics of sound, instrument layout, sound creation, purchasing, and instrument repair, which will help entry level musicians as well as seasoned professionals appreciate and master the secrets of analog sound synthesis. Kyle Dixon and Michael Stein (Primetime Emmy Award,“Stranger Things”) Paul Haslinger (BMI Film and TV Music Awards,“Underworld”) Suzanne Ciani (Grammy Award nominee,“Neverland”) Adam Lastiwka (“Travelers”) Hans Zimmer (Golden Globe and Academy Award nominee and winner, “Gladiator” and “The Lion King”) Mike Oldfield (Grammy Award winner,“Tubular Bells”) Isao Tomita (Grammy Award nominee,“Snowflakes Are Dancing”) Rick Wakeman (Grammy Award nominee,Yes) Tony Banks (Grammy, Ivor Novello and Brit Awards, Genesis) Nick Rhodes (Grammy Award winner, Duran Duran)Īnd from the worlds of TV and movie music: O O O O Major artists interviewed in depth include: O O O O O O Now updated, this new edition also includes sections on the explosion from 2000 to the present day in affordable, mass market Eurorack format and other analog instruments, which has helped make the analog synthesizer sound hugely popular once again, particularly in the fields of TV and movie music. Analog Synthesizers charts the technology, instruments, designers, and musicians associated with its three major historical phases: invention in the 1960s–1970s and the music of Walter Carlos, Pink Floyd, Gary Numan, Genesis, Kraftwerk,The Human League,Tangerine Dream, and Jean-Michel Jarre re-birth in the 1980s–1990s through techno and dance music and jazz fusion and software synthesis. Making its first huge impact in the 1960s through the inventions of Bob Moog, the analog synthesizer sound, riding a wave of later developments in digital and software synthesis, has now become more popular than ever. Modules 2013-2019: the Eurorack explosionĪppendix A Classic instruments: specifications and valuesĪppendix Β Analog and virtual analog instruments: currently or recently in productionĪppendix C Purchasing guide for analog instrumentsĪppendix G Website content: Index Citation previewĪnalog Synthesizers: Understanding, Performing, Buying Programming rock, pop and electric soundsĬhapter 6 The analog revival, 1980s-2000sĬhapter 7 Programming and using virtual analog hardware and softwareĬhapter 8 2013-2019 updates: new instruments, Eurorack and movies/TV Introduction: what's so great about analog?Ĭhapter 3 The birth of analog, the manufacturers and the artists
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